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The New York Times reports on "Seurat and the Making of `La Grande Jatte' " at the Art Institute of Chicago, which traces the French artist's preparations for his major painting:
The painting (its full title is "A Sunday on La Grande Jatte — 1884") has been in the collection of the Art Institute of Chicago since 1926. So great is its fame that to some visitors it is the Art Institute, the way "Las Meninas" is the Prado. They are, of course, mistaken. The museum, one of this country's best, has other attractions.
And the Prado doesn't?